![]() We have to send our clients approval cuts with a completed audio mix, and they will always make changes that affect the audio in some way. ![]() Our workflow is the big problem that’s limiting us. Taking a noise print is huge plus for us for instance, and I absolutely love the spectral frequency display and the abilities it gives us, along with the preview editor. ![]() While Premiere may have ‘’most’ of the same effects, sometimes the multiple ways of doing the effects like compressors in Audition gives us better results over others, and the whole thing gives us generally much better audio in the end. Me and my team really love the Audition UI for audio work. Thank you for asking! This along with color grading are my biggies. I actually prefer the automation in Premiere over Audition (ie, automating individual parameters of an effect, particularly for simple sound design) and despite some limitations of the track mixer, it's easy to stay 'in-app'.įor larger timelines (and for heavier, more complex sound design) I send the whole sequence to Audition and do the final mix and export there (as AU now has direct ties to Media Encoder, particularly when 'sending' from PPRO). As it has all the same effects as Audition (and my AU/VST plugins are accessible) it's the path of least resistance. Here's what I do: For simple productions (interviews, social promos, edited YT content) I do all my mixing in Premiere. Be specific (ie, nerd-out): what effects do you regularly use? Which effects/plugins do you wish we had? What formats do you mix to?Īnd of course, if you *don't* mix in Premiere, what app do you prefer? (or maybe you hand-off to someone else to mix in ProTools, Resolve, etc). Whether you use the traditional track mixer or primarily leveraging the Essential Sound Panel for clip-based treatments, I'd like to know how you're mixing. Today's question is all about mixing audio.
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